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Minchanka [31]
2 years ago
3

Select all that apply.There are a variety of eubacteria living as _____.decomposersheterotrophspathogensautotrophs

English
2 answers:
sweet [91]2 years ago
8 0
Could be decomposer but  im not sure about the rest. Sorry.
lord [1]2 years ago
7 0
The answer is decomposer and autotrophs. Good luck with the rest!
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In lines 10–11 the speaker is referring to the importance of interpreting what is being read. On lines 20–21, the speaker shows that reading interpretation promotes knowledge and that knowledge is often a handicap for the soul.

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In lines 10–11 the speaker is referring to the need that people have to interpret and understand what is being read, this is because if a person just reads, he is stuck with earthly life, he is limited to an environment, contained. However, the interpretation of reading makes the individual see beyond words and let go of this limitation.

However, once the reading has been interpreted, the individual gains knowledge, becomes detached from ignorance and is able to see things he did not see before. The problem is that this is often a disadvantage, showing that ignorance was a paradise, which was lost with the arrival of knowledge. This can be seen on lines 20–21.

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Write an essay comparing and contrasting the depiction of the character Macbeth in Shakespeare’s play Macbeth and in Raphael Hol
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<em>In both Holinshed and Shakespeare's work, Macbeth is the main character that the audience anticipates. Holinshed created an admirable gent who did not want the death of Mackdonwald. But Shakespeare makes Macbeth a villain by making the character glory being a murderer. Shakespeare changed Macbeth from his Holinshed inspiration to discuss the political issues of his play.Albeit the vast majority of Shakespeare's play " Mac Beth " isn't truly precise, MacBeth's life is the subject of the disaster. There are characters and occasions that depend on obvious occasions and genuine people at the same time, Shakespeare's "Macbeth " varies altogether from history's Macbeth. The primary case of a contrast between the Shakespeare "Macbeth" and verifiable Mac Beth is the demise of Duncan I. In Shakespeare's " Mac Beth ", Duncan I was killed by Macbeth.A prediction said to Mac Beth by one of the three witches "All hail, Macbeth, that shalt be King hereafter1 ." was what incited Gruoch, MacBeth's better half to plot the homicide of Duncan I as he rested in their mansion. Ever, Mac Beth built up himself as the King of Scots in the wake of slaughtering his cousin Duncan I, fighting close Elgin not as in Shakespeare's play by executing him in his rest. Duncan, I was executed on August 14, 1040. Macintosh Beth at that point ruled as ruler for a long time. As recently expressed Duncan I and Mac Beth were cousins, a reality not brought out in the play.</em>

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Respond to the following prompt by writing an essay of at least 750 words. According to Camus in “The Myth of Sisyphus,” “…fate.
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Answer:The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.

If one believes Homer, Sisyphus was the wisest and most prudent of mortals. According to another tradition, however, he was disposed to practice the profession of highwayman. I see no contradiction in this. Opinions differ as to the reasons why he became the futile laborer of the underworld. To begin with, he is accused of a certain levity in regard to the gods. He stole their secrets. Aegina, the daughter of Aesopus, was carried off by Jupiter. The father was shocked by that disappearance and complained to Sisyphus. He, who knew of the abduction, offered to tell about it on condition that Aesopus would give water to the citadel of Corinth. To the celestial thunderbolts he preferred the benediction of water. He was punished for this in the underworld. Homer tells us also that Sisyphus had put Death in chains. Pluto could not endure the sight of his deserted, silent empire. He dispatched the god of war, who liberated Death from the hands of the conqueror.

It is said also that Sisyphus, being near to death, rashly wanted to test his wife's love. He ordered her to cast his unburied body into the middle of the public square. Sisyphus woke up in the underworld. And there, annoyed by an obedience so contrary to human love, he obtained from Pluto permission to return to earth in order to chastise his wife. But when he had seen again the face of this world, enjoyed water and sun, warm stones and the sea, he no longer wanted to go back to the infernal darkness. Recalls, signs of anger, warnings were of no avail. Many years more he lived facing the curve of the gulf, the sparkling sea, and the smiles of the earth. A decree of the gods was necessary. Mercury came and seized the impudent man by the collar and, snatching him from his joys, led him forcibly back to the underworld, where his rock was ready for him.

You have already grasped that Sisyphus is the aburd hero. He is,as much through his passions as through his torture. His scorn of the gods, his hatred of death, and his passion for life won him that unspeakable penalty in which the whole being is exerted toward accomplishing nothing. This is the price that must be paid for the passions of this earth. Nothing is told us about Sisyphus in the underworld. Myths are made for the imagination to breathe life into them. As for this myth, one sees merely the whole effort of a body straining to raise the huge stone, to roll it and push it up a slope a hundred times over; one sees the face screwed up, the cheek tight against the stone, the shoulder bracing the clay-covered mass, the foot wedging it, the fresh start with arms outstretched, the wholly human security of two earth-clotted hands. At the very end of his long effort measured by skyless space and time without depth, the purpose is achieved. Then Sisyphus watches the stone rush down in a few moments toward that lower world whence he will have to push it up again toward the summit. He goes back down to the plain. It is during that return, that pause, that Sisyphus interests me. A face that toils so close to stones is already stone itself! I see that man going back down with a heavy yet measured step toward the torment of which he will never know the end. That hour like a breathing-space which returns as surely as his suffering, that is the hour of consciousness. At each of those moments when he leaves the heights and gradually sinks toward the lairs of the gods, he is superior to his fate. He is stronger than his rock.

If this myth is tragic, that is because its hero is conscious. Where would his torture be, indeed, if at every step the hope of succeeding upheld him? The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious. Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn.

Explanation:

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