Answer:
B. Both have yearned to escape the environment they experienced as a child.
Explanation:
Dee is the object of desire, amazement, and tumult among her relatives, while as an individual she scans for individual significance and a more grounded feeling of self. Dee's judgmental nature has influenced Mama and Maggie, and want for Dee's endorsement runs somewhere down in them two—it even shows up in Mama's fantasies about a broadcast gathering. In any case, Dee does not make a big deal about a push to win the endorsement of Mama and Maggie. Unflappable, not effectively scared, and overflowing with certainty,
in "Freeway 280" the storyteller abruptly lifts the tone and reports to the perusers the growing of the new grasses helping the perusers the flexibility to remember nature, and the soul of the uprooted network. The expressions "raised scar" and the "counterfeit windsounds" plainly pass on the writer's dissatisfaction with the turnpike. The old trees, similar to the elderly people ladies who come to assemble the foods grown from the ground greens developing on the ground, are the gatekeepers of the network soul.
