The facts that are told at the end of the story are in sharp contrast to those that unleash the tragedy that Desiree and her son have to live. Only in the last few lines we discover that her husband knows the true cause of the dark color of the child's skin, which derives from the color of his own mother and has nothing to do with the unknown facts that cover the real origin of Desiree, since his filiation was not known from the beggining.
The irony is graphed in the fact that Desiree's husband could not have ignored that his mother was a dark-skinned woman, as he lived with her for the first eight years of his life and in addition to that, in the end, we also got to know that he was in possession of that letter that informed him the truth, in the probably event that he had forgotten it over the years.
The mistreatment he gave to his slaves was then the most important contradiction, although we can observe that his character softens after the birth of his son, even so having to see him daily was probably a permanent reminder of a shame he was trying to leave behind.
<span>"As each salty wall of water approached (it shut all else from the view of the men) in the boat, and it was not difficult to imagine that (this particular wave was the final outburst of the ocean) (the last effort of the grim water.)" this is the part that applies</span>
Gives readers a clear picture of the sequence of events
D. The TV show, which we watch together, airs on Friday nights. is the grammatically correct version of the sentence. "which we watch together" gives further information about the show
George Herbert, "The Collar" - cacophony
John Donne, Sonnet 10 - paradox
John Donne, "The Sun Rising" - hyperbole
Andrew Marvell, "To His Coy Mistress" - carpe diem
John Donne, "The Flea" - synecdoche
