Answer:
Research related to the popular use of social media in Egypt.
A statistic supporting the claim that social media use in Egypt is not widespread.
Widespread testimony about how social media use has changed in Egypt.
Explanation:
These are the three options that explain the types of evidence that the authors used in this excerpt.
First, the authors talk about the popular use of social media in Egypt when they argue that the Pew Research Center's Global Attitudes Project has looked at this information.
Second, the authors employ a statistic that supports the fact that social media is not widespread when they say that 65% of people do not use the Internet.
Finally, the authors use widespread testimony when they argue that most people who are online use social media to learn about the political situation in their country.
However, the authors never talk about how social media changed after the Arab Spring.
A preview of reasons you're a great fit for the j
Answer:
B) He understands that the other men in town will never stand up to him.
Explanation:
Zora Neale Hurston's "Spunk" revolves around life in Eatonville, Florida where Spunk, the main protagonist of the story is involved in an affair with Lena Kanty, the wife of Joe Kanty. the story covers the incident where Spunk shot Joe and killed him.
Paragraphs 30-36 covers the scene where Joe was killed and what led to it. But more importantly, it also reveals how people perceive Spunk. They are all aware of the affair and would express disdain, but at the same time, they couldn't say anything in his face. Moreover, even after they know for sure that he had killed Joe, they could do nothing but talk about it. This shows how the other men in town don't seem to be brave enough to stand up to him.
Thus, the <u>correct answer is option B.
</u>
Answer:
Explanation:
s = input()
name = input()
splits = s.split(" ")
i = 0
for i in range(len(splits)):
if(splits[i] == name):
break
print(splits[i+1])
Output:
Joe 123-5432 Linda 983-4123 Frank 867-5309
Frank 867-5309
Process finished with exit code 0
The door creaked and a rectangle of light fell onto the magazine that I was reading. I looked up to a boy who had come into the lobby was a stranger, about nineteen, tall and thin.
"Looking for someone?" I asked.
"No," the boy said. His long fingers trembled as they fumbled with the buttons of his coat.
"Well, may I help you with something?"
"No." The boy dropped his coat onto the worn tweed sofa and sat down slowly. In the light from the window his pale cheeks gleamed as if wet.
He's sick, I thought, while walking over to him. A narrow hand reached out and seized my wrist, cold, strong fingers twining around my arm like vines or snakes. I try to fight the impulse to pull away, looking down instead into the boy's troubled, grey eyes.
