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posledela
2 years ago
9

An author may use dialogue to provide the reader with?

English
2 answers:
julia-pushkina [17]2 years ago
5 0
<span>Indirect characterization uses a person/character's speech patterns or other forms of appearance to give a look into their personality. In this case, dialogue would be considered a way to indirectly characterize. Direct characterization, on the other hand, uses actual descriptive words and phrases to give a look at how a character will behave, look, or feel.</span>
andre [41]2 years ago
3 0

Indirect Characterzation

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Read the excerpt from Enrique’s Journey. He was five years old when his mother left him. Now he is almost another person. In the
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A parallel that can be traced about the excerpt from Enrique's Journey that appears in the book Children of the Drug Wars by author Damon Barett and the information about migrating without the parents of Central America to North America is that the abandonment of these children by part of their parents or guardians is a great motivation for them not to return to their country of origin but to keep going north. The escape of a violent past and abandonment with the parents serves as an incentive for these children to travel to the north of the American continent

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Jackie is writing a speech that claims that students should sell fruit instead of candy for the school fundraiser. In her speech
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She could argue that you don't need to sell the same thing every year and therefore, we could all try something different this year, not just candy.

She also could argue that candies are not healthy and it's time to distance ourselves from them for now.

The best argument that she could pull off would be, if that was really the case, if fruits were easier and more profitable to sell. By far, if that was the argument, they would all sell fruit easily.

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2 years ago
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Based on the examples she provides the reader knows spending time away from things makes Morris feel
Airida [17]

From "The Tyranny of Things" by Elizabeth Morris

Once upon a time, when I was very tired, I chanced to go away to a little house by the sea. "It is empty," they said, "but you can easily furnish it." Empty! Yes, thank Heaven! Furnish it? Heaven forbid! Its floors were bare, its walls were bare, its tables there were only two in the house were bare. There was nothing in the closets but books; nothing in the bureau drawers but the smell of clean, fresh wood; nothing in the kitchen but an oil stove, and a few a very few dishes; nothing in the attic but rafters and sunshine, and a view of the sea. After I had been there an hour there descended upon me a great peace, a sense of freedom, of in finite leisure. In the twilight I sat before the flickering embers of the open fire, and looked out through the open door to the sea, and asked myself, "Why?" Then the answer came: I was emancipated from things. There was nothing in the house to demand care, to claim attention, to cumber my consciousness with its insistent, unchanging companionship. There was nothing but a shelter, and outside, the fields and marshes, the shore and the sea. These did not have to be taken down and put up and arranged and dusted and cared for. They were not things at all, they were powers, presences.

And so I rested. While the spell was still unbroken, I came away. For broken it would have been, I know, had I not fled first. Even in this refuge the enemy would have pursued me, found me out, encompassed me.

If we could but free ourselves once for all, how simple life might become! One of my friends, who, with six young children and only one servant, keeps a spotless house and a soul serene, told me once how she did it. "My dear, once a month I give away every single thing in the house that we do not imperatively need. It sounds wasteful, but I don't believe it really is. Sometimes Jeremiah mourns over missing old clothes, or back numbers of the magazines, but I tell him if he doesn't want to be mated to a gibbering maniac he will let me do as I like."

The old monks knew all this very well. One wonders sometimes how they got their power; but go up to Fiesole, and sit a while in one of those little, bare, white-walled cells, and you will begin to understand. If there were any spiritual force in one, it would have to come out there.

I have not their courage, and I win no such freedom. I allow myself to be overwhelmed by the invading host of things, making fitful resistance, but without any real steadiness of purpose. Yet never do I wholly give up the struggle, and in my heart I cherish an ideal, remotely typified by that empty little house beside the sea.

Based on the examples she provides, the reader knows spending time away from things makes Morris feel

worried

lonely

understood

inspired

Answer:

From the examples provided, the reader knows that spending time away from things makes Morris feel <u>inspired.</u>

Explanation:

From the excerpt above, Morris describes how she feels at peace and what freedom could bring to her. Because of these, she felt free because nothing further required her attention so she was finally able to rest.

Morris goes ahead to compare her situation to that of her friends and the old monks. As she reflects and contemplates, she feels inspired and makes the conscious decision that she would keep on striving to reach the ideals of the white empty house by the beach.

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Answer:

Explanation:

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By naming the two characters, Mr. and Mrs. Winter by this season, the writer symbolizes the coldness and childlessness in their life. It seems that they lost the child, but they approached the grief from the calculated, rational point -<u> not acknowledging the loss and emotions, and continuing to act rationally on the outside as if nothing is happening.</u>

<u>This can be connected to the coldness and stillness of the winter, the snow that covers all the flora and vegetation, and seems to last forever in the icy embrace. </u>

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