answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
Elena-2011 [213]
2 years ago
5

Which line in this adapted excerpt from “Patriotism: A Menace To Liberty” by Emma Goldman indicates the central idea of the pass

age?
English
1 answer:
kompoz [17]2 years ago
3 0

Answer:

B. Patriotism, on the other hand, is a superstition artificially created and maintained through a network of lies and falsehoods; a superstition that robs man of his self-respect and dignity, and increases his arrogance and conceit.

Explanation:

You might be interested in
In at least 100 words, analyze Emerson's ideas about the connection between travel and personal development. Use
nikitadnepr [17]

Answer:

Emerson essentially believes that traveling is overrated. He supports this perspective through an initial focus on "the idea" of places like Italy, England, and Egypt, and the fascination of "educated Americans" with them. He argues that those places only took on the grand, majestic ideas that they represent because "they who made England, Italy, or Greece venerable in the imagination did so by sticking fast where they were, like an axis of the earth." Yes, those places are grand, but only because they so clearly represent the places that they are. The art and culture of Italy, England, and Egypt is authentic, and therefore significant. He continues, saying:  

The soul is no traveller; the wise man stays at home, and when his necessities, his duties, on any occasion call him from his house, or into foreign lands, he is at home still, and shall make men sensible by the expression of his countenance, that he goes the missionary of wisdom and virtue, and visits cities and men like a sovereign, and not like an interloper or a valet.

In other words, even when people must travel, they should retain the identity of their home and keep it with them as much as possible. Travelers must keep self and origin at the forefront; no matter where they are, they must be who they are and not become something else for the sake of the place they find themselves in. He goes on to say that he has no objection to traveling for "purposes of art, of study, and benevolence," but qualifies this by saying that the traveler must first be "domesticated [and] not go abroad with the hope of finding somewhat greater than he knows." Emerson believes that people should not go elsewhere looking to obtain something that is not an inherent part of their character, as one who does so "travels away from himself, and grows old even in youth among old things. In Thebes, in Palmyra, his will and mind have become old and dilapidated as they. He carries ruins to ruins."

Explanation:

Yes, this is over 100 words, but from all of this, you can write your own 100 word analyzer. You can take all of this and form it into your own words and such. [ I found all of this on a website called enotes. ]

4 0
1 year ago
A writer should use a reciprocal pronoun when
maxonik [38]

A writer should use a reciprocal pronoun when:

B. two or more subjects of the sentence are also objects.

<u>Reciprocal pronouns</u> (<em>each other</em> and <em>one another</em>) are used to indicate that two or more people are carrying out a given action. A writer should use them as objects when they have already been mentioned as subjects. For example:

<em>Gary and July could not wait to give the presents to </em><em>each other</em><em>. </em>

6 0
2 years ago
Read 2 more answers
Read the excerpt from act 5, scene 3, of The Tragedy of Julius Caesar.
kotykmax [81]

The first option is the answer: <em>Titinius feels guilty that Cassius is dead, and decides he must kill himself.</em>

How I built the conclusion:

Firstly, the act starts with a conversation between Messala and Titinius. Then, Messala EXITS, so a monologue by Titinius starts (Since he's the only one in the scene, there's no need to identify the speaker, as there was previously when Messala was also present).

Since he's alone, and speaking with a sorrow tone when he starts to 'talk' to Cassius, it can be assumed that Cassius is dead. And apparently, Brutus had previously instructed Titinius to give a garland (the <em>wreath of victory</em>) to Cassius. (The notice of Cassius death is probably the report that would <em>thrust Brutus' ears</em>, and what Messala left to tell him, in the first place). Finally, he decides he will still accomplish his mission (<em>Brutus' bidding</em>) by also dying (as giving Cassius his garland in the afterlife).

So with the <em>gods' leave</em> (in this context, permission), he meets his <em>Roman's part</em> (separation from Rome - material world). And he finally conclude the deed by 'inviting' <em>Cassius' sword </em>to find <em>Titinius' heart </em>(his own heart - thrusts a sword into his chest).

5 0
1 year ago
Read 2 more answers
1.) How did John view the rockpile?
Nutka1998 [239]

Answer:

A. He saw it as something dangerous.

A. He was hit in the head with a tin can.

Explanation:

In <em>The Rockpile</em>, John sees the rockpile as something dangerous, which is why he does not like the idea of Roy playing there. However, Roy really wants to go and he asks John not to say anything. However, while on the rockpile, Roy gets into a fight, and he is hit in the head with a tin can. As he is brought back home, John is blamed for the fact that he let Roy go.

6 0
2 years ago
Read the following scene from The Little Foxes. BEN. (very jovial) I suppose I have been. And why not? Horace has done Hubbard S
iren [92.7K]
If the options are:

A. Viewers would have to infer the emotions and motivations of Ben and Regina.
B. Viewers would have to envision the physical descriptions of Ben and Regina.
C. Viewers would have to imagine the few props being used by Ben and Regina.
<span>D. Viewers would have to visualize the actions and movements of Ben and Regina.
</span>
Then the right answer is A. In stage and film adaptations, there is no need for the viewers to envision physical descriptions, imagine props, or visualize actions and movements. They can already see all of that, as the directors have already taken care of it. We only have to visualize all these things when we read the play. However, inferring the inner enigmas of characters' motivations is still up to us.
8 0
1 year ago
Other questions:
  • Which opinion about colonialism is best supported by events from the tempest
    12·2 answers
  • Which description provides the best objective summary of the article in the passage? The purpose of the article is to tilt the r
    10·2 answers
  • Which two lines of text in this excerpt from William Dean Howells's "Editha" demonstrate the author’s opposition to conventional
    9·2 answers
  • Which of the following is an example of a common theme in literature?
    5·2 answers
  • how does victor frankenstein's story parallel the story of prometheus and pandora-apex english 12 sem 2 (1.3-5)
    10·2 answers
  • Presumably, reality television programs aim to provide a realistic portrayal of the behavior displayed by the characters feature
    9·2 answers
  • Select the correct answer. David is writing about healthy eating guidelines for teenagers. He’s including this illustration in h
    5·1 answer
  • In Chapter 10 of The True Confessions of Charlotte Doyle, Charlotte finds herself in the middle of a major conflict. She has jus
    6·2 answers
  • Mount Everest is the pride of every single nepali justify the statement​
    5·1 answer
  • On the basis of your reading of Beowulf
    12·1 answer
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!