Hello there,
Why did the author choose to provide this fictional account of Iqbal Masih, who was a real person? Check all that apply.
Story:
My first impression was that he was handsome. Then I thought, No, he isn't really good-looking. But he had such eyes. They were sweet and deep and they weren't afraid. He was standing at the threshold of the workroom with Hussain Khan's enormous hand gripping his arm and we were all looking at him. The fourteen of us child-slaves plus Karim, all observing another slave. He was one of the many who had come and gone over the years, but we felt that somehow, this new boy was different. He looked around at us, one by one. He was sad, of course, like anyone who has been away from home for a long time, like anyone who is little more than a slave, like anyone who can't imagine what will become of him.
Answers:
since some of these details are not known
to interpret and share real events
to bring Iqbal to life through descriptive detail and dialogue
to add details, such as characters' thoughts and feelings, to the story
to engage the reader by sharing his point of view about the topic
When large numbers of voters are involved in the choice of representatives it is better for the republic hope this helps
In Pygmalion, we observe a society divided, separated by language, education, and wealth. Shaw gives us a chance to see how that gap can be bridged, both successfully and unsuccessfully. As he portrays it, London society cannot simply be defined by two terms, "rich" and "poor."
Within each group there are smaller less obvious distinctions, and it is in the middle, in that gray area between wealth and poverty that many of the most difficult questions arise and from which the most surprising truths emerge.
Answer:
"The Negro Speaks of Rivers" 1921 "The Weary Blues" 1925
Explanation:
The first two only said that poetry was the genre so sorry if that doesn't say anything. Also two memorable characters or voices were Ruby Brown appears in Ruby Brown and Alberta K. Johnson or Madam appears in Madam to You
