The sculptor was following a Roman tradition at the time to portray emperors as other-worldly, almost godlike beings. He makes his eyes very large and his face stoic to convey that he his someone not quite human like the rest of us, and perhaps he is above the fleeting emotions that govern the rest of mankind.
Overture in<span> music is the term originally applied to the instrumental introduction to an opera.</span>
AnswIn 1622, Velázquez was ordered to paint a portrait of the young king, Philip IV. This project led to his appointment to the position of one of several painters to the king, and he served in that position for the rest of his life. This position gave Velázquez the freedom to travel and expand his artistic knowledge and abilities, and he took full advantage of the opportunity. He traveled to Italy in 1629 and again in 1649, visiting and learning from contemporary Italian artists. These experiences had a profound impact on his style, inspiring such works as The Forge of Vulcan and The Toilette of Venus.
Explanation:
The blues is an American art form and the most important musical form in jazz. Although there are other formal paradigms of the blues, such as 8-bar or 16-bar, this course focuses on different incarnations of the 12-bar blues. There are considerable differences between Early Jazz blues, Swing blues, Bebop blues, Modal blues, and Post Bop blues. Each type has its unique harmonic syntax, melodic vocabulary and, associated with them, improvisational techniques. While other aspects of jazz performance practice have been constantly changing from one stylistic convention to another, the blues has never lost its identity and expressive power, and continues to exert a powerful influence on the harmonic and melodic syntax of jazz. This seven-week course explores important aspects of the blues, blues improvisation, basic keyboard textures, jazz harmonic and melodic syntax. Topics include: (1) Blues Progressions; (2) Blues and Other Scales; (3) Improvisational Tools, and others. This course will also cover valuable theoretical concepts enabling the student to master the art of jazz improvisation. Each topic will be introduced from a practical perspective with the clearly stated goal: to improve one’s improvisational skills. Jazz improvisation is rooted in spontaneity, creativity, self-expression and, at the same time, self-control and order. A unique pedagogical approach based on a one-to-one musical interaction conducted with different instrumentalists will help to reinforce many of the concepts introduced in this course and realize its stated objectives.
