<span>This year two radically new British editions of Shakespeare have begun to appear in print, one from Oxford University Press and the second from Cambridge University Press. Either can reasonably expect to become the standard classroom text for an entire generation to come. Since the Shakespeare our children grow up on will thus be in some respects a very different author from the one we have known, the occasion demands a look at the older editions which formed our conception of Shakespeare in this century, as well as an evaluation of the new man these fresh versions offer to future readers.</span>
In the novel “<em>Nectar in a Sieve</em>” by Kamala Markandaya (1954), one of the main themes is the contrast between the tradition (Part 1) and the modern (Part 2), or the rural life and the city life. While <u>Part 1</u> takes place in an unnamed village in rural India, <u>Part 2</u> takes place in an unnamed major city in urban India. The author used imagery throughout the novel in order to call the reader’s attention. This technique is used <u>to represent objects, actions, and ideas in a way that it appeals to the reader’s physical senses</u>. For example, Markandaya used onomatopoeia together with imagery in the following passage “<em>… a click-clank of stone on stone with intermittent dull explosions</em>”. Water is also an example of imagery in the novel, since the patterns of the rain portray Rukmani’s view of the world and the balance of certainty and uncertainty, the good times and the bad ones. Moreover, water was also an important element in <u>Nathan’s death</u> and <u>for the women</u>.
Explanation:
For example, the franks are concerned about getting captured by the Nazis, ... How do these details make the relationship between peter and Mr. Van daan ...
The answer to this question is C.
A greek drama typically begins with what is called a(n) episode/ an episode of a card game/
