Answer: Karim is dependent on the master, it's indirect characterization
Explanation:
The correct answer is:
The skull of Yorik simbolizes Hamlet's obsession with death and decay in act 5.
In the Act 5 Hamlet visits the grave yard and foinds the skull of a man who worked for his father and who he knew as a child, it brings good memories of Hamlet`s childhood when all was well.
Hamlet remembers the dead in the graveyard. "Alas, poor Yorick," exclaimsHamlet, as he recalls that Yorick was "a fellow of infinite jest, of most excellent fancy," one who "hath borne [Hamlet] on his back a thousand times" (5.1.190-191; 191-192; 192-193).
The sentence from Herman Melville's short story "The Lightning-Rod Man" which is an example of allusion is the one we find in letter B. Who has empowered you, you Tetzel, to peddle round your indulgences from divine ordinations?
One of the characters is mocked by being called Tetzel, who was a German Dominican preacher who sold "indulgences" (paid forgiveness for one's sins) in the 1500's. In the aforementioned sentence, there is an allusion to Martin Luther, who was openly against Tetzel and his "indulgences". An allusion is an indirect reference to something or someone, and Martin Luther is indirectly mentioned in the sense that it's like he is talking to his adversary. Except it's not Martin Luther himself speaking; it's one of the characters who try to impersonate him.
The answer is a <span>situation that seems to be contradictory but actually, presents a truth. It seems unreal because it gives a different light of understanding a subject. A paradox has a possibility to happen although it looks impossible or contradicting.</span>
Answer:
Option C
Explanation:
Well known in London social and literary circles during his lifetime, Sancho achieved lasting fame with the posthumous publication of his Letters of the Late Ignatius Sancho, an African. The 158 letters collected in this volume cover a wide range of subjects—including literature, politics, and race—and offer Sancho's unique perspective as a former slave and one of the only middle-class Black men living in eighteenth-century London. Sancho's letters also reveal him to be a man of generosity, warmth, and humor who enjoyed the company of friends from many different stations in life. In his own day, Sancho was thought of as “the extraordinary Negro,” and to eighteenth-century British opponents of the slave trade he became a symbol of the humanity of Africans, something that at the time was disputed by many.
