Answer:
B. “Many demons called Tang men John because, they insisted, they never could get the hang of our real names.”
Explanation:
Many people think it's A but it's not. Indirect characterization is when you find out something because of someone's dialouge or actions. A directly tells you charecteristics about the demons with adjectives. So it's B
Answer:
in my opinion (again) thats a conditional Argument
Explanation:
Reason (use of if in an argument shows that there's a possibility something can happen or not so in this case if the subjects case goes to trial then the outcome will determine his life
(Thanks and sorry also hope I was helpful)
Answer:
Explanation:
Setting and tone/mood can be seen to go hand in hand, so to speak. For instance, a scene of a story or poem that takes place in a field of flower on a bright and sunny day would contribute to a tone of happiness. That said, the time 1984 occurs is in the future for the characters of the novel. The place is London, and the weather and color are, respectively, dreary and gray. Because the future can never be known for sure, this uncertainty contributes to the dystopian tone. Likewise, when one thinks about the miserable nature for people that would be caused by a dystopian society, bright and sunny are not what one might generally think. Setting in 1984 contributes to the tone of dystopia because when one pictures what a dystopia might look like, smoggy, foggy, and gray are probably what come to mind.
Answer:
She is trying to trick him into seeing her as a person instead of a meal.
Explanation:
she is trying to distract the monster until her brothers could return.
Answer:
The third answer.
Explanation:
This is clearly the only one that aligns with the passage given. This in no one entertains as there is no context established to why she explaining her house and disaster around it. She says nothing about workers or sugar plantations so that cannot be assumed from this passage. Lastly, it does not attempt to persaude, otherwise the stilts would be the main focus of the passage.
