<h2>Answer:</h2>
Society accepts any information as true without validation
<h2>Explanation:</h2>
According to Neil postman "There is nothing wrong with entertainment."
But at the same time, he explains that television is covering each and every aspect of society through its various programs. The problem with this entertainer is that none of it is being validated by masses who blindly believe on the stuff that is being shown to them by television.
The first option is the answer: <em>Titinius feels guilty that Cassius is dead, and decides he must kill himself.</em>
How I built the conclusion:
Firstly, the act starts with a conversation between Messala and Titinius. Then, Messala EXITS, so a monologue by Titinius starts (Since he's the only one in the scene, there's no need to identify the speaker, as there was previously when Messala was also present).
Since he's alone, and speaking with a sorrow tone when he starts to 'talk' to Cassius, it can be assumed that Cassius is dead. And apparently, Brutus had previously instructed Titinius to give a garland (the <em>wreath of victory</em>) to Cassius. (The notice of Cassius death is probably the report that would <em>thrust Brutus' ears</em>, and what Messala left to tell him, in the first place). Finally, he decides he will still accomplish his mission (<em>Brutus' bidding</em>) by also dying (as giving Cassius his garland in the afterlife).
So with the <em>gods' leave</em> (in this context, permission), he meets his <em>Roman's part</em> (separation from Rome - material world). And he finally conclude the deed by 'inviting' <em>Cassius' sword </em>to find <em>Titinius' heart </em>(his own heart - thrusts a sword into his chest).
Answer:
c. <>
Explanation:
These help transition each paragraph smoothly and help the speech flow without randomly cutting to the next point.
The answer is in this Act
<span>
Why, now you speak
Like a good child and a true gentleman.
That I am guiltless of your father's death,
And am most sensible in grief for it,
It shall as level to your judgment pierce
As day does to your eye.
(Hamlet Act IV, Scene V)</span>
A psychologist doesn't always look at the question or problem at hand, but at the possible problem or question at hand
