Answer:
c
Explanation:
in my opinion, i believe this to be true most of my family and friend are mostly into violence movies and TV shows
Answer: Option(c) is correct option
Explanation:
According to the question, preceding event that took place to make Sid explosively angry was children throwing stones or rocks at his car for no apparent reason.He was so angry that he complained in police against children damaging his car to gain compensation from their parents
Other option are incorrect because not able to catch children,becoming angry and chasing teens are not the antecedent event tat made Sid dynamically angry.Thus.the correct option is option(c).
The correct answer is D) He helped the economy of his country grow.
Hongwu exemplifies Confucian ideas in that he helped the economy of his country grow.
That is why he said, "To rule a country of a thousand chariots, there must be reverent [worshipful] attention to business, and sincerity; economy in expenditure [expenses]." That attention to business allowed the ruler of the Ming Dynasty to have strong agriculture that produced many crops, quality goods that were exported to other regions, diminish importations, and combined with the restoration of the Chinese traditions and the victory over the Mongols, Hongwu could maintain a political environment and economic stability to generate prosperity in the Ming Empire.
Answer:
instrumentality
Explanation:
Instrumentality is a term that is used by Talcott parsons and Robert Bales to refer to an emphasis on tasks, a focus on more distant goals and concerns for he external relationship between one's family and other social institutions.
Instumentality is of the belief that successful performance will result in some outcomes. And the outcomes will be more technical and instrumental to a set of subjective probabilities.
Answer:
Through the diverse cases represented in this collection, we model the different functions that the civic imagination performs. For the moment, we define civic imagination as the capacity to imagine alternatives to current cultural, social, political, or economic conditions; one cannot change the world without imagining what a better world might look like.
Beyond that, the civic imagination requires and is realized through the ability to imagine the process of change, to see one’s self as a civic agent capable of making change, to feel solidarity with others whose perspectives and experiences are different than one’s own, to join a larger collective with shared interests, and to bring imaginative dimensions to real world spaces and places.
Research on the civic imagination explores the political consequences of cultural representations and the cultural roots of political participation. This definition consolidates ideas from various accounts of the public imagination, the political imagination, the radical imagination, the pragmatic imagination, creative insurgency or public fantasy.
In some cases, the civic imagination is grounded in beliefs about how the system actually works, but we have a more expansive understanding stressing the capacity to imagine alternatives, even if those alternatives tap the fantastic. Too often, focusing on contemporary problems makes it impossible to see beyond immediate constraints.
This tunnel vision perpetuates the status quo, and innovative voices —especially those from the margins — are shot down before they can be heard.