1. avis, clarus, and penna.
2. celer and magnus
3. canto, brevis, and avis
4. penna, avis, and fervo
5. mare and aqua
6. curso, avis, and rotundus.
These are the answers I think fit best. Hope they help.
# 6 is the resolution, conclusion. T<span>he wolf falls down the chimney into the boiling water.</span>
" the thousand injuries of fortunato i had borne as i best could, but when he ventured upon insult i vowed revenge.
hope it helps
If the options are:
A. Viewers would have to infer the emotions and motivations of Ben and Regina.
B. Viewers would have to envision the physical descriptions of Ben and Regina.
C. Viewers would have to imagine the few props being used by Ben and Regina.
<span>D. Viewers would have to visualize the actions and movements of Ben and Regina.
</span>
Then the right answer is A. In stage and film adaptations, there is no need for the viewers to envision physical descriptions, imagine props, or visualize actions and movements. They can already see all of that, as the directors have already taken care of it. We only have to visualize all these things when we read the play. However, inferring the inner enigmas of characters' motivations is still up to us.
If a meteor were to crash to earth it would probably stir up a lot of dust, which would block out the sun
