The right answer is the last one: negative incentive and tariff. These duties and taxes are negative incentives, or disincentives, because they attempt to discourage people from buying those cars (and buying national cars instead), and also tariffs, since they must be paid on certain classes of imports or exports.
Answer:
I will get a cup of coffee
Explanation:
I wouldnt want my partner to lose trust in me, yes he is experienced and i want to learn from him but i also want to careful/mindful of my dealings with him because everything with him might not be right.
So for him to tell me about the restaurant, i will have to observe the restaurant and try to understand the relationship between him and restaurant. But not to gain trust and confidence with my partner, also my experienced lead, i will get a cup of coffee, not to be too forward, i have to be smart and observe i can just also order what i like because he also ordered what he liked, its about been smart.
Answer:
Studying in a public place, such as a coffee shop or student lounge
Explanation:
Answer:
d.) Frank should not take the medicine because stealing cannot hold up as universal law, regardless of the potentially good consequences.
Explanation:
Universal laws are widely regarded as a way people conduct themselves. They are regarded as universal in their philosophical basis, applicability, acceptability, and translation.
For example fairness in dealings is a universally accepted concept.
In the given scenario however stealing is not a universal law and cannot be justified under any circumstance.
Although Frank's daughter Jenna is sick and he cannot afford the medicine.
He should not take from open drawer stuffed with vials full of the medicine Jenna needs because it is ethically wrong
Answer:
The picture on the screen.
Explanation:
André Bazin was a well-known, celebrated and influential French film critic and film philosopher. His writing journey started about film in 1943 and he was the co-founder of the popular film magazine Cahiers du cinéma in the year 1951, alongside Joseph-Marie Lo Duca and Jacques Doniol-Valcroze.
He used his term presence to describe the moviegoer's sense that he is within the same spatial/temporal continuum as the picture on the screen.
